Description
In the outskirts of space, and the far corners of the Polity, complex dealings are in play.
Several forces continue to pursue the deadly and enigmatic Penny Royal, none more dangerous than the Brockle, a psychopathic forensics AI and criminal who has escaped the Polity’s confinements and is upgrading itself in anticipation of a deadly showdown, becoming ever more powerful and intelligent.
Aboard Factory Station Room 101, the behemoth war factory that birthed Penny Royal, groups of humans, alien prador, and AI war drones grapple for control. The stability of the ship is complicated by the arrival of a gabbleduck known as the Weaver, the last living member of the ancient and powerful Atheter alien race.
What would an Atheter want with the complicated dealings of Penny Royal? Are the Polity and prador forces playing right into the dark AI’s hand, or is it the other way around? Set pieces align in the final book of Neal Asher’s action-packed Transformation trilogy, pointing to a showdown on the cusp of the Layden’s Sink black hole, inside of which lies a powerful secret, one that could destroy the entire Polity.
Reviews
Praise for Infinity Engine
“Incredible beings wielding vast alien technologies, devastating space battles, and mind-blowing science . . . Asher completes his Transformation series with this powerful work that transcends the borders of morality, existence, and spacetime itself.” —Publishers Weekly (starred review)
“A wide-screen special-effects extravaganza, a space opera featuring gods and monsters . . . Doc Smith and Olaf Stapledon in a blender, turned up to eleven, with the contents splattering across the ceiling.” —Russell Letson, Locus
Praise for War Factory
Asher ventures into some terrifying minds and incredible space battles in this tangled but heart-pounding sequel, which achieves a rare success in depicting truly nonhuman forms of intelligence.”
Publishers Weekly
Praise for Dark Intelligence
"Beautifully paced ... does just as well as at slam-bang action scenes as at painting frightening pictures ... This is space opera at a high peak of craftsmanship."
Publishers Weekly, starred review
What Asher delivers here is state-of-the-art SF on so many levels
a compelling, smart read.”
Paul Di Filippo, Locus
"Blends large portions of horror and mystery into an SF tale of revenge and redemption ... a complex and satisfying work."
Library Journal, starred review
"An exciting, intricate, and unabashedly futuristic story rife with twists and turns ... Asher returns to his popular far-future series, Polity Universe, with another fast-paced space opera filled with his trademark technological marvels and elaborate world building."
Booklist
"Hardboiled, fast-paced space opera epic ... Asher’s books are similar to the world of Iain M. Banks’ Culture universe, but the Polity is arguably a much darker and more vicious environmentand all the better for it."
The Register
"Perpetually on the knife's edge, and this constant tension works wonders for creating a page-turning atmosphere. It's a damningly gripping and infecting book."
Upcoming4.me
"A superb novel and Asher has an amazing talent for world-building, for writing larger-than-life characters, for weaving gripping plots and for imagining exotic alien races and wonderful technologies. Huge ships! Big weapons! Space battles! Ground battles! Treason! Revenge! This is New Space Opera at its best."
Sense of Wonder
"One of his best works so far ... Asher is a modern master of sci-fi."
Starburst magazine
"[The Polity books] are SF novels that mix early cyberpunk’s insouciance with the widescreen baroque spectacle of space opera and the pacing of an airport action-thriller. But even by Neal Asher’s standards, there’s something particularly grisly about Dark Intelligence.”
SFX
Praise for Neal Asher
Asher rocks with XXX adrenaline while delivering a vivid future.”
David Brin, New York Times-bestselling author of Kiln People
What has six arms, a large beak, looks like a pyramid, has more eyes than you’d expect, and talks nonsense? If you don’t know the answer to that, then 1) you should and 2) you haven’t been reading Neal Asher (see point 1).”
Jon Courtenay Grimwood
Projects the terror-haunted sensibility of our time into a future of limitless brutality . . . Asher displays great virtuosity.”
The New York Times
Asher has lit up the sky of science fiction like a new sun.”
Tanith Lee