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	<Title>
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		<TitleText textcase="02">Tangles</TitleText>
		
		<Subtitle textcase="02">A Story About Alzheimer's, My Mother, and Me</Subtitle>
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		<PersonNameInverted>Leavitt, Sarah</PersonNameInverted> 
		<NamesBeforeKey>Sarah</NamesBeforeKey> 
		<KeyNames>Leavitt</KeyNames> 
		<BiographicalNote>&lt;b&gt;Sarah Leavitt &lt;/b&gt;is a writer and cartoonist. She has published
comics, fiction, and nonfiction in magazines, newspapers, and
a number of anthologies, including &lt;i&gt;Nobody’s Mother&lt;/i&gt;and&lt;i&gt; Beyond
Forgetting: Poetry and Prose About Alzheimer’s Disease&lt;/i&gt;. She lives in
Vancouver, British Columbia.</BiographicalNote>
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		<LanguageCode>eng</LanguageCode>
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	<NumberOfPages>128</NumberOfPages> 
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	<IllustrationsNote>300 black &amp; white illustrations</IllustrationsNote> 
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		<Text language="eng">In this powerful memoir the &lt;em&gt;&lt;/em&gt;the &lt;em&gt;LA Times&lt;/em&gt; calls
“moving, rigorous, and heartbreaking," Sarah Leavitt reveals how Alzheimer’s disease transformed
her mother, Midge, and her family forever. In spare blackand-
white drawings and clear, candid prose, Sarah shares her
family’s journey through a harrowing range of emotions—shock,
denial, hope, anger, frustration—all the while learning to cope,
and managing to find moments of happiness. Midge, a Harvard educated
intellectual, struggles to comprehend the simplest words;
Sarah’s father, Rob, slowly adapts to his new role as full-time caretaker,
but still finds time for wordplay and poetry with his wife;
Sarah and her sister Hannah argue, laugh, and grieve together as
they join forces to help Midge. &lt;em&gt;Tangles&lt;/em&gt; confronts the complexity
of Alzheimer’s disease, and ultimately releases a knot of memories
and dreams to reveal a bond between a mother and a daughter that
will never come apart.</Text>
	</OtherText> 
	<OtherText>
		<TextTypeCode>02</TextTypeCode>
		<Text language="eng">What do you do when your outspoken, passionate, and quick-witted
mother starts fading into a forgetful, fearful...</Text>
	</OtherText> 
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“The power of this graphic memoir is not that its story about a family
dealing with Alzheimer’s is so extraordinary, but that it has become so
ordinary.

In her first book, Canadian writer and cartoonist Leavitt shows her mother
agreeing to have her experiences with the disease documented because “[m]aybe
this will help other families!” And likely it will, letting those experiencing
the dementia of someone they love know what to expect, and to reassure that the
tangled emotions they feel in response—anger, frustration, devotion, humor—are
inevitable.Though this is primarily an account of the author’s
experiences as her mother becomes all but emotionally unrecognizable, it is
also a narrative spanning two three generations of complicated family
dynamics.Leavitt illustrates significant differences between her mother’s
closeness with her sisters and how the disease affects those relationships, and
the contrasting tension between the author and her sister.It shows the strains
that Alzheimer’s puts on everything—from the sufferer’s well being and sense of
purpose to a loving marriage to the physical demands of caring for someone who
can no longer care for herself.The narrative is &lt;strong&gt;human, honest, loving and
occasionally even funny&lt;/strong&gt;. “I created this book,” Leavitt writes in the
introduction, “to remember her as she was before she got sick, but also to
remember her as she was during her illness, the ways in which she was
transformed and the ways in which parts of her endured. As my mother changed, I
changed too, forced to reconsider my own identity as a daughter and as an adult
and to recreate my relationship with my mother.”

&lt;strong&gt;Not simply the story of a disease, but of the flawed, complex, intelligent
people whose lives it transformed&lt;/strong&gt;.”</Text>
		
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“Not only a spot-on portrait of the dark comedy and vast sadness that Alzheimer’s contains, the book is a fitting tribute to Leavitt’s mom.”</Text>
		<TextAuthor>Elissa Schappell, Vanity Fair</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“Beautiful detailed drawings capture perfectly the joy, frustration,
sense of loss, humor, and poignancy of dealing with Alzheimer’s.
I welcome this book, as compelling, instructive, and yet enormously
comforting too.”</Text>
		<TextAuthor>Lesley Fairfield, author of Tyranny</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“This is a really important book. I can’t get it out of my head...we should all own a copy.”</Text>
		<TextAuthor>Rosalind Penfold, author of Dragonslippers</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“Midge Leavitt begins
showing symptoms of Alzheimer's in her mid-50s. Her handwriting starts to
wobble, she loses herself in familiar parts of town, and strange,
"blankety-blank" headaches shift around in her skull. Losing words
and stories proves particularly debilitating for a woman who was once so
enthused by them–with her husband, fellow teacher Rob, she "built a life
of books and art and creativity". Leavitt responds in kind in this
heartbreaking memoir, which follows her mother's gradual decline and her
family's reaction to it. Her simple line drawings are rarely fascinating in
themselves but they serve the story well, capturing facial expressions with
subtle brevity and showing the subtext behind brave or cruel words as Leavitt's
voice stretches from calm rationalizing to an anguished wail and back. Stark
details–accounts of tidying up after a woman whose body is no longer her own
and trying to communicate with a mother who can barely recognize her family–are married with warm, funny recollections of Jewish-Canadian life.”</Text>
		<TextAuthor>James Smart</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“Sarah Leavitt uses the medium of comics to tell her story with more 
economy and power than either words or pictures could muster by 
themselves. She brings a good eye for the telling detail--the small 
observations that reveal larger truths--to her memoir of a family in 
crisis. &lt;em&gt;Tangles &lt;/em&gt;is the work of a perceptive, 
creative, and honest storyteller.”</Text>
		
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“[Leavitt’s] drawings . . . put me in mind of Roz Chast . . . [her]
skill, economy of line, and efficiency of vocabulary give you plot
and interwoven characters, humor, pathos, comedy, and tragedy
enough for 500 pages of prose.”</Text>
		<TextAuthor>Eleanor Cooney, author of Death in Slow Motion</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“&lt;em&gt;Tangles&lt;/em&gt; is simply a fine and touching book. As the rate
of Alzheimer’s continues to increase as the population ages, &lt;em&gt;Tangles&lt;/em&gt;
joins Jeffrey Moore’s novel &lt;em&gt;The Memory Artists&lt;/em&gt; and Sarah Polley’s film
&lt;em&gt;Away from Her&lt;/em&gt; at the head of a list of illuminating and much-needed
artistic responses.”</Text>
		<TextAuthor>Ian McGillis</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“The story has a
definite place in the literature available to persons who have to deal with
this terrible tragedy. The format (a graphic novel) is fresh and will appeal to
the younger generation who are just beginning tocome to grips
withthis crisis. Sarah describes very clearly many of the various
problems that occur with each stage of the illness. She is very honest about
her reactions and feelings as well as her attempts to cope with them. There are
many lessons for others to learn but the biggest lesson is that it is OK to have
reactions, feelingsand frustrations that are not always “correct” as one
watches a loved-one’s progress. I think that the graphic novel tells the story
in a more vivid and personal way thanmost bookscould possibly do&lt;strong&gt; I
know from my years of experience that the novel &lt;em&gt;will &lt;/em&gt;be very helpful to
others dealing with Alzheimer’s&lt;/strong&gt;.”</Text>
		<TextAuthor>E. Prather Palmer, MD, former Director, Alzheimer’s Disease Clinic, Lahey Clinic, Burlington, Massachusetts</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“An &lt;strong&gt;extraordinarily
moving and vivid&lt;/strong&gt; account, in text and cartoon-style pictures, of the life and
death of an Alzheimer’s patient.”</Text>
		<TextAuthor>John Bayley, author of Elegy for Iris</TextAuthor> 
	</OtherText>
	
	<OtherText>
		<TextTypeCode>08</TextTypeCode>
		<Text>“Says
Leavitt, “Our parents
taught us, as very young children, that language, words, and books belonged to
us, that they were exciting and powerful.” Pairing words with simply drawn,
evocative line art, Leavitt has crafted &lt;strong&gt;a glowing, heart-wrenching memoria&lt;/strong&gt;l to
the woman who gave her such a gift. Useful for anyone with an Alzheimer’s
patient among family or friends, for health-care professionals, and for graphic
arts programs as an example of how simple art can tell a powerful story. &lt;strong&gt;So
far, the only published Alzheimer’s-related graphic novel—and highly
recommended.&lt;/strong&gt;”</Text>
		
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